American Painter, 1855-1942  Related Paintings of Hirst, Claude Raguet :. | A Vision | Chrysanthemums in a Canton Vase | Chianti Wine Bottle,Wine Glass,Grapes and Layer Cake,with Red Scarf | An Early English Edition | Still Life with Lemons,Red Currants,and Gooseberries |
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Pedro Blanes
1878-1926 Uruguayan painter. He first studied painting and drawing as a child with the Catalan painter Miguel Jaume i Bosch. As an adolescent he moved with his family to Spain, where he studied at the Real Academia de Bellas Artes de San Fernando in Madrid and frequented the workshop of Santiago Rusieol. After studying in Paris with Benjamin Constant, he visited Italy and Mallorca, where he first developed his talents as a landscape painter before returning briefly to Uruguay in 1899. During another prolonged visit to Europe from 1902 to 1907 he enthusiastically studied the work of Pierre Puvis de Chavannes, Lucien Simon, Henri Martin, Claude Monet and James Abbott McNeill Whistler. After his return to Montevideo in 1907 he painted shimmering Impressionist-influenced landscapes such as Palma de Mallorca and treated local rural and urban scenes in which he established himself as a remarkable colourist. He also commemorated subjects from Latin American history in works such as Artigas Dictating to his Secretary Don Jose G. Monterroso , the equestrian portrait of General Galarza and Artigas in el Hervidero.
JANSSENS, Jan
Flemish painter (b. 1590, Ghent, d. after 1650, ?) Flemish painter, active also in Italy. He became a master in the painters' guild of his native Ghent in 1621, but before that he spent considerable time in Italy, particularly Rome, where he is documented in 1619 and 1620. There he became associated with the international Caravaggesque movement and was especially influenced by the paintings of the Utrecht Caravaggisti, such as Gerrit van Honthorst and Dirck van Baburen. Immediately after his return to Ghent, Janssens introduced the style of Caravaggio there. His altarpieces and other painted compositions with mercilessly realistic representations of biblical and hagiographic themes were particularly sought after for churches in and around Ghent. In these works Janssens achieved a high emotional impact by modelling the figures and objects with a strong light from a hidden source. Typical examples are the Christ Crowned with Thorns (1627; Ghent, St Peter) and the Martyrdom of St Barbara (Ghent, St Michael). Such paintings met the demand that sprang from the Counter-Reformation for strongly emotional representations of religious themes. Janssens also occasionally worked for a public that was more international in outlook, as is demonstrated by his Caritas Romana
Sylvester Shchedrin
1791-1830,was a Russian landscape painter. Sylvestr Shchedrin was born in St. Petersburg into the family of the famous sculptor Pheodosiy Shchedrin, rector of the Imperial Academy of Arts. The landscape painter, Semion Shchedrin, was his uncle. In 1800, Sylvester Shchedrin entered the Imperial Academy of Arts in St. Petersburg, where he studied landscape painting. Among his teachers were his uncle, Semion Shchedrin, Fedor Alekseev, M.M. Ivanov and Thomas de Thomon.[1]. In 1811e graduated with several awards including the Large Gold Medal for his painting View from Petrovsky Island that gave him a scholarship to study abroad. Lake of Albano, 1825Sylvester left for Italy in 1818, delayed due to the Napoleonic Wars. In Italy, he studied the old masters in Rome; goes to Naples to paint watacolrs ordered by Grand Duke Mikhail Pavlovich of Russia; then return back to Rome. The biggest achievement of that period was New Rome. castle Sant'Angelo (1823) It was such a great success that he has painted 8..10 variations of the painting, each from a slightly different angle and with different details. His pension ended in 1823, but he decided to stay in abroad as a freelance painter. In 1825 he finished his work Lake of Albano that was a new step in his movement to the natural composition. In this painting he relaxed the boundary between subject and background, moved from using the formal colors. Shchedrin had many commissions and grew to become a well-known artist in Italy. He lived in Rome and Naples, working en plein air, drawing bays and cliffs and views of small towns and fishermen villages. One of his favorite motifs were terraces in vines with a view of the sea. Referred as the images of the "Midday Paradis".At the end of the 1820s, Shchedrin began to draw nighttime uneasy, almost nightmarish landscapes, which may have been inspired from his gradually declining health. He died in Sorrento in 1830.